Pakistani actress and television host Mishi Khan has criticised actress Iffat Omar and veteran designer Nilofar Shahid following a controversial moment at Laam Fashion Week in Lahore.
The controversy began after Iffat walked the runway as Nilofar Shahid’s showstopper in a gold saree. A devotional kalaam, Aaqa, performed by Abida Parveen and Ali Sethi, played during the closing moments. A video showed Iffat moving to the music, prompting debate across social media.
Mishi Khan Questions the Performance
Mishi Khan addressed the incident through her Instagram account. She stressed that people should respect religious sentiments and treat devotional music with reverence.
The actress questioned the decision to use a religious kalaam during a fashion presentation. She argued that not every piece of music suits dancing or entertainment performances.
Her remarks specifically targeted the choice of music and Iffat’s movements during the runway appearance. Mishi’s comments quickly attracted attention as the video circulated online.
Social Media Reacts to the Controversy
The incident sparked a wider discussion about religious sensitivities and creative expression in Pakistan’s entertainment industry.
Several social media users supported Mishi’s criticism. They argued that organisers and performers should consider the religious significance of music before including it in public events.
Others viewed the incident as a debate about how fashion shows balance artistic presentation with cultural and religious values.
Fashion, Entertainment and Religious Sensitivity
Laam Fashion Week brought together designers, models and celebrities for runway presentations in Lahore. However, the closing sequence involving Iffat Omar became one of the event’s most discussed moments online.
The controversy has highlighted the importance of considering cultural context when selecting music for public performances. It has also renewed discussion about the responsibilities of celebrities and event organisers.
Neither the viral footage nor the online reactions establish the intentions behind the performance. Nevertheless, Mishi Khan’s criticism has brought renewed attention to the intersection of fashion, entertainment and religious respect.
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